Publications: 2010

Iain Biggs ed.2010,
Debatable Lands Volume Two:
These Debatable Lands,
(Bristol, Wild Conversations Press for TRACE)
Ronan Foley, 2010.
Healing Waters: Therapeutic Landscapes in Historic and Contemporary Ireland
(Farnham: Ashgate).
Auras Anónimas (Anonymous Auras) by Beatriz Gonzáles;
8957 hand-painted images using stencils in four mass-crypt structures in downtown Bogotá (photograph by K. Till, 2009) in Karen E. Till. 2010. 'Greening' the City? Artistic Re-Visions of Sustainability in Bogotá, 'e-misferica 7(1)':
http://hemisphericinstitute.org/hemi/en/e-misferica-71/till
  • Iain A. Biggs. 2010. Ed. Debatable Lands Volume Two: ‘These Debatable Lands’ (School of Fine Art, History of Art & Cultural Studies, University of Leeds: Wild Conversations Press for TRACE). Contributing international artists and academics: Iain Biggs, Jo Carruthers, Maria Damon, Geraldine Finn, Ullrich Kockel, Mary Modeen, Ann Mulrooney, Rowan O’Neill, Angela Piccinni, Bill Prosser, Margaret Werry
  • Iain A. Biggs. 2010. ‘“Deep mapping”: A brief introduction’ in Karen E. Till, Ed. 2010. Mapping Spectral Traces (volume and exhibition catalogue), Blacksburg, VA: Virginia Tech College of Architecture and Urban Affairs) pp 5-8.
  • Iain A. Biggs. 2010. ‘Essaying Place: Landscape, Music, and Memory (after Janet Wolff)’ in Process: Landscape and Text Eds. Adeline Johns-Putra & Catherine Brace (Amsterdam & New York, Rodopi ISBN-10: 9042030755
  • Iain A. Biggs. 2010. ‘The Sowdun Project - testimonial imagination, Borders ballads, and the politics of (dis-) enchantment’ in Cultural Memory: Reformations of the past in the present and present in the past Eds. Malcolm Miles & Vardan Azatyan, Plymouth, University of Plymouth Press ISBN 978-1-84102-253-6.
  • Iain A. Biggs. 2010. ‘The presence of absence: song, ritual, and place’ in Holy Hiatus Ed. Ruth Jones Aberteifi: Partheon.
  • Stephen Daniels, Michael Pearson and H. Roms. 2010. ‘Fieldworks’, guest edited special volume of: Performance Research 15 (4).
  • Ronan Foley. 2010. Healing Waters: Therapeutic Landscapes in Historic and Contemporary Ireland (Farnham: Ashgate).
  • Gerry Kearns. 2010. ‘Video interview on Public Knowledge,’ Public Knowledge Journal 1 (1): http://pkjournal.org/blog/?page_id=339.
  • Gerry Kearns. 2010. ‘Geography, geopolitics, and empire,’ Transactions of the Institute of British Geographers 35 (2): 183-207.
  • Mary Modeen. Distancing and Foregrounding: Visual Art, Place and Memory: Vol.2, in Cartographies of Culture: Memory, Space, Representation. Literary and Cultural Theory, Vol. 35, Peter Lang Publishing, Frankfurt am Main, Berlin, Oxford, Wien: Germany, 2010. ISBN 978-3-631-60909-5.
  • Michael Pearson. 2010. Site-Specific Performance (Basingstoke and New York: Palgrave Macmillan).
  • Karen E. Till. 2010. ‘Greening’ the City? Artistic Re-Visions of Sustainability in Bogotá,’ e-misferica 7 (1), special issue on ‘Unstable Visualities’: http://hemisphericinstitute.org/hemi/en/e-misferica-71/till.
  • Karen E. Till. 2010. ‘Mapping Spectral Traces’, in Mapping Spectral Traces, Ed. Karen E. Till (Blacksburg, VA: Virginia Tech College of Architecture and Urban Affairs) pp. 1-4.
  • Karen E. Till, Ed. 2010. Mapping Spectral Traces 2010 (edited volume and two exhibitions catalogue, curated by Deborah A. Sim, Morgan Sayers, and Karen E. Till; exhibition design: Deborah A. Sim and Morgan Sayers; publication design: Somiah Muslimani) (Blacksburg, VA: CAUS, VT); 44 pp. full color + 4 p. full color covers )ISBN-13: 978-0-9793684-2-4) (PDF available at: http://www.research.spia.vt.edu/events/spectral-traces/).
  • Karen E. Till, Ed., Mapping Spectral Traces 2010 Symposium Guide, 64 pp. (PDF available at: http://www.research.spia.vt.edu/events/spectral-traces/).
  • Karen E. Till. 2010. ‘Urban Remnants: Place, memory, and artistic practice in Berlin and Bogotá’ ENCOUNTERS 1 (March): 75-88, 101-103; in thematic issue: ‘Beyond Tourism;’ online: http://www2.dokkyo.ac.jp/~doky0016/encounters/09/Contents.htm.
  • Judith Tucker. 2010. ‘The Lido in the Forest: Painting, Memory and Subjectivity’ in Memory, Mourning and Landscape: Interdisciplinary Essays. Eds Elizabeth Anderson, Avril Maddrell, Kate McLoughlin and Alana Vincent (Rodopi Press Amsterdam) pp 191-218.
  • Victoria Walters. 2010. ‘The Artist as Shaman: the work of Joseph Beuys and Marcus Coates’ in Arnd Schneider and Christopher Wright,. Eds. Between Art and Anthropology (Oxford: Berg) pp 35-48.
  • Victoria Walters. 2010. ‘Working “in the Opposite Direction”: Joseph Beuys in the Field’. Anthropological Journal of European Cultures 19 (2) (Autumn): 22-43.
Mapping Spectral Traces