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MST IV, 2011 Participants and attendees are often asked to reflect upon their work and ideas in progress by considering the following questions: How might we listen to and recognize stories, remnants, and submerged ways of knowing as unresolved residues of memory? What might mappings that are sensitive to past injustices look, sound, and feel like? In a larger sense, how do visual pieces open up the presence of these past traces in ways that text does not? Might there be approaches to environment that treat ground as home and resting place, as thresholds through which the living can make contact with those who have gone before? And how do aspects of these researched and creative responses acknowledge the individual and specific while addressing the larger questions?
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